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Red9 ProPack – Butterworth Filter – Animation Re-Sampling on Steroids!

Now available in Red9 ProPack!

This is a huge new feature for any animators dealing with dense baked data…. the Red9 StudioPack already has an interactive curve filter to deal with re-sampling animation curves but soon the ProPack will be getting an all new Butterworth algorithm, one of the main filter methods from MotionBuilder for cleaning up noisy data.

The Butterworth filter is actually derived from an audio filter so is superb at taking noise out and re-sampling animation data, we’ve taken this method and wrapped it into a neat, interactive tool inside Maya.

This will save anybody dealing with MoCap or facial data a massive amount of production time!!

This second video is as a result of a request from a number of clients who are dealing with budget moCap setups and needing solutions to help clean-up up some of the low frequency noise inherent in the data …. a perfect case for the Butterworth algorithm. In this case it’s data from Perception Neuron system.

Sony Morpheus VR – London Heist

Client : Sony Interactive Entertainment London Studio
Project : PlayStation VR Worlds: The London Heist – Red9 Facial Systems

“The London Heist” was part of PlayStation VR Worlds, released in October 2016 along with the new PlayStation VR headset. We were tasked with the facial rig systems for the 2 key characters, Mickie and Frank, and this was the one of the first projects to involve the Red9 facial system, a task made even tougher when dealing with exploring the new medium of VR. It was a huge privilege to be involved in such a key development in VR tech and a massive buzz to see your work develop in the virtual world. Huge thanks to SIE London Studio for letting us be part of this key release for them.

Red9 ProPack : Animation Re-Director Update

We wanted to share this huge update to the Animation Re-Direction system in the Red9 ProPack. This new setup has been driven largely by the needs of one of our clients dealing with mass MoCap and needing to straighten out data shot in a tight volume, a really tough thing to do without a tool like this.

The new setup not only keeps all the power of the previous setups, allowing us to direct animations via curves, shaping animations, but also now un-wrap animation data.

As usual if anybody has any questions or is interested in talking about this or our ProPack pipeline drop us an email!